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Tagline: The tornado destroyed their house; their home was already wrecked.
When a tornado comes through, Mickey and Carolyn emerge from the storm cellar to find only debris where their house was. The son Kyle and daughter-in-law, Shannon arrive to help. Each person responds to the tragedy in their own way. Carolyn is devastated by the destruction of the house she put her life into. Mickey wants to salvage what he can. Kyle's lost of childhood home inspires him to get started with his own. Shannon tries to find the good in everything and annoys the rest of them. Mickey is a recovering alcoholic and former womanizer and must deal with his past as his wife is ready to leave now that her home is gone. (5f, 1m)
In 1977, a group of college-age students are staff at a Christian summer camp. They bond at fire circle on the night before the camp begins. Act 2 takes place in 1999, many of the group returns as the camp is closing for good. Most have lost their faith, issues include domestic violence, unplanned parenthood and abortion, LGBQ+ and christianity, transgender and progressive versus conservative christianity.(9f,7m)
A play of romantic recovery. Marcus begins a journey where he is leaving bedrooms of various women. First, he leaves the bed room of Jen, his longtime cohabitating girlfriend. After establishing himself in a sublet apartment, Liz returns to reclaim her apartment after she breaks up with their mutual friend Eric. The third bedroom is Heather's, someone he has met on Tinder whose past is not something he can deal with. Finally, Marcus leaves a bedroom with a woman that he is ready to love. (2f,2m)
A Sex Comedy in Two Acts. The show starts with three couples: one couple just started dating, one couple just got engaged, and the other couple is just about to break-up in a explosive moment in front of their friends. The changing relationships have a devastating effect on the women's friendships, since everyone wants Mr. Taken. (3f,3m)
This a theater piece designed for the Capital Fringe Festival. Four actors on a basically blank stage. Three storytellers and a hostess -- talking about oral sex. Each story begins a provocative statement: "Getting head made me rich." "I found Jesus through oral sex." "A blow job saved my life." Each storyteller then takes ten to fifteen minutes to explain how oral sex made his or her life better. Each story is funny, moving and emotional. The stories seem so real that some audiences members have thought the actors actually lived the experience. But these are works of fiction. (2f,2m)
The richest man in a small Midwestern city decides to run for mayor. The problem is out-of-touch and comes across as an idiot. The dowager party chair is afraid he will drag the party's other candidates down, so she brings a couple of big-time political consultants to try to make him viable. He and his beauty-queen campaign manager don't want the help. When the incumbent mayor admits to an affair (with him), the race becomes close leading to an election night surprise. (4f,2m)
A pre-Trump version of this play was titled "Silk Purse Project"